Wednesday, December 7, 2011

STANDING ON A BRIDGE WITH RICHEY EDWARDS (UNEDITED VERSION)







That’s been my main problem, standing on the bridge looking down at the water. It’d be a kind of reverse baptism you know? And maybe you wouldn’t even die, just get maimed or decapitated – though decapitation would most likely rule out a normal existence thereafter. Anyhow, it isn’t like standing on top of a building peering down at concrete humanity and certain fatality. I wasn’t in psychotherapy for that anyway, I was in analysis for pulling girls off their perches by their pony tails. Don’t know where that came from – the bible maybe, there’s a definite link between the bible and caffeine - all those bitches outside of coffee houses . . . in Gomorrah, drinking mochas. It’s funny . . . sometimes they don’t even shriek, and if you do it quick enough the shock wave covers your getaway. Dr Ely, my headshrinker, says it’s something to do with my childhood – like hello, what isn’t? Reckons my not being able to have a pony tail when I was a fourteen year old stoner is the root cause. Blame it on mother . . . and her being a hairdresser too. Life is a complex series of dictated protocols and behaviour patterns, and all you have to do is figure out where you fit into the bigger picture – the one with Jesus in it – Jesus standing there with hair down to his waist wearing sandals – I reckon Jesus smoked dope. I bet Mary never told Jesus he couldn’t grow his hair long or stand out in the street preaching. No, Mary was the perfect mother . . . and why all this biblical referencing? Long story – but it all goes back to the Manic Street Preachers. Their album the Holy Bible, and Richey, who vanished . . . only he didn’t and then he did again, confused?


Take a seat, or a ledge on a bridge but just be careful in those fucking sandals mind, those things can kill you. I was down on the Point fishing, not that I fish – I was looking at other people fishing wondering if I ought to fish too just in case there was something in fishing that I was missing, after all, even Cobain referenced it. Then again, fishing looks fucking boring . . . I was just about to finally leave when I see these bubbles. Bubbles in the water, thought I might get lucky and be the first to snap a shot of some alien invader or unknown monster and if I’d had a camera I would have. I stand there watching the bubbles and then this thing comes to the surface . . . I take a step back and glance around at the men fishing and they’re all looking in the other direction. This thing, covered in slime, struggles toward the rocks and when it gets one slimy hand on one it looks up at me through fish-pecked eyes and says, calm as you fucking well like, ‘Gissus hand mate.’
Yeah, I think to myself, as fucking if. Then the penny drops, through the seaweed and slime and brine – ‘Hold on,’ I say, ‘aren’t you fucking Richey Edwards?’
‘Ha ha, as if, half my luck that’d be eh?’ The thing says, smiling as water laps gently around its still submerged body.
‘You fucking are!’ I say, ‘you died didn’t you?’
‘Look pal,’ the thing says in-between spitting out salt water, ‘if I was this fella you’re on about I wouldn’t be here barely alive and almost half-drowned would I?’
‘You can’t be almost half drowned,’ I tell him matter of factly, ‘or half-drowned for that matter, you’re either drowned or you aren’t.’
‘What are you?’ He splutters, ‘a fucking marine biologist?’
‘Half my luck, nah, I’m a social engineer.’
‘A fucking what?’ He queries trying to fend off a savage looking gull.
‘I engineer social change.’ I say.
‘Things have bloody changed since . . .’ he swallows the rest of the sentence along with a bit of thoughtlessly discarded polystyrene.
‘Since your day?’ I smile.
‘What fucking year is this?’ He coughs noisily.
‘How long you been down there, under the sea?’
‘A while my friend, now, you gonna help me out before this fucking gull eats my brains or what?’

Seriously, I had no choice in the matter. So me and what I’m presuming (then) is the just-resurrected carcass of Richey Edwards lope off toward my council flat. It’s not grand, just a room on the sixteenth floor with a grey view. Richey needs a bath, which is weird seeing as how he’s just come from the water . . . but, in he goes, aqua boy, leaves a few strands of weed and skin on the mouldy grout. I’m thinking I should call someone, NME maybe, that guy who wrote England’s Dreaming, John Peel, no, wait, John Peel’s dead. Right on, no one’d believe me anyhow.

This is obviously what comes of being a manic depressive, and a manic street preacher I suppose, so, Richey stays in the bath an awfully long time – it just isn’t natural, the kid’s as wrinkled as, finally I go tell him tea’s ready.
‘Fish?’ he asks me.
‘This is fucking England man, remember? We might be surrounded by them but that doesn’t mean we can afford to eat them. I’ve got a tin of sardines though?’
‘Well I guess,’ he starts, obvious unenthusiastically, ‘great source of vitamin E, your piscatorial delicacies.’
‘I’m sure,’ I say, ‘but vitamin E is the least of our problems, what’s good for skin?’
‘D, I think, sunlight, all that outdoor jive.’
‘Well, we’re pretty fucked then, sardines?’

I think Richey would have been better off under the sea, not a chance of him making a comeback, not in the state he’s in. We watch a bit of telly, Richey coughs up sea water now and again – smiles apologetically. The rank smell of those sardines engulf both us, he doesn’t seem to mind. If it wasn’t minus 5 I’d open a window – if the window opened that was. The last occupant super-glued all the windows shut then gassed himself, where he got the bread to feed that meter I’d like to know, aren’t too many round here could afford suicide like that – pay as you go – like, imagine if you were almost done and the gas went off? No, jumping is the way to go, cheaper, plenty of wannabe jumpers, it’s dangerous though to the underclass, a serious occupational hazard to those planning a long-term career in the disenfranchisement industry; people tend to go around peering upwards in case some crazy decides today’s his day to try flying – sometimes they walk into lamp posts coz they’re looking up instead of ahead and get concussed – then mugged of their meter money, makes the muggers job a lot easier – pre-concussed victims (look, here’s some tosser who prepared himself earlier), the mugging sector is booming apparently. Council took all the gas ovens out anyhow after the gas company complained too many tenants were reneging on their bills by suiciding – their shareholders were fucked off with it – dropping dividends and all that – lamp posts will be next to go I suppose, save on power and facial reconstruction expenses.

A couple of weeks, bookended by dole cheques, pass murderously – there’s Richey, eyes like two arrester beds, playing around with an emo cover of Fanfare for the Common Man – apt, especially as there’s common men floor to ceiling round here. I suggest Cocker’s Common People might be more befitting and less misogynist but Richey just turns what’s left of his nose up, says since Shatner did it it’s lost what street credit it had in the bank. I disagree, I thought Shatner did a classy job on it, Richey tells me to fuck off, I remind him that it’s my fucking bathtub he’s dossing in – fucking back from the dead rock stars, who’s he think is, Jim Morrison?
Next he asks me if I could ring the band. Like fuck, I tell him in no uncertain terms, I’m already in psychiatry and shit like that could get me a long way to a restraining order – the type that comes with its own restraints. If he wants to get back in the band that’s his lookout, but no way do I see Rolling Stone slapping him on the cover, born again or not; wrapping him in old NMEs, dousing him in vinegar and serving him with chips yes . . . but the rock n roll hall of fame . . . nada amigo.

Richey and yours truly were shacked up in my damp flat; the living embodiment of a Soft Cell song, one step down from bedsit land and one step up from the Thames embankment, the real odd couple. Then it dawned on me, the original eureka moment – only it was Richey in the tub and not me of course. ‘Hey!’ I said to him, ‘what about all the fucking royalties huh?’
‘Money’s not important.’ He offered casually. Too damn casual.
‘What? How long you been dead?’
He shrugged, a chunk of algae-infested skin slid from his shoulder, ‘Four, five years?’
‘Man! You know what those ghouls make out of memorabilia and commemorative re-releases! You must have an account somewhere . . . no wait, did you leave a will?’
‘I left it to my cat Gobbit, only, I’m not . . . certified.’
‘Your cat! Bloody typical . . . sorry, okay, what’d you mean you’re not certified, sane or insane . . . hang on, Gobbit? What kind of a name is that?’
‘Dead and it’s a good name, a punk name.’
‘You’re not dead?’
‘Technically.’
‘Get a hat and coat we’re going out.’
‘What? It’s raining . . .’
‘Hello, earth to Richey, you came out of the sea man!’
‘Yeah but dude, that’s like, fresh water?’
‘Huh?’
‘It’s only this saline skin protecting me from these savage earthly elements.’
‘Wear a fucking mac, toughen up, we could be eating well tonight!’
‘You can’t really expect me to walk into a bank five years after I vanished, presumed dead, to take out a few quid for fish and chips, think of the furore that’d cause!’
‘You mean we’re starving because you, aka rich rock star returned from water world, costing a fortune in salt I might add, won’t go down the bank and withdraw money in case some pop junk press get a hold of the news and blow your cover?’
‘Exactly, think about it a minute . . .’
‘Wait, have you got online access?’
‘What in the name of Icelandic Cod is online access?’
‘Fuck! You jumped too soon! Everything’s online these days!’
‘I’m not!’
‘No? ha ha, Richey Edwards this is your fucking life! Now sit up and shut up!’
Okay, I shouldn’t have handed him the plugged-in out-of-date laptop when he was in the bath – Compaq were never renowned for their electrical stability – then again, he was already dead yeah? Plus I didn’t think . . . didn’t think all that salt we were chucking in the bath would conduct electricity . . . didn’t even realise I had no Net Cred anyhow . . . his webbed hands were too slimy . . . in it went, plop, my lifeline to pseudo normality, cheap Asian electrical components in a brine bath, fizzing and popping and smoking, and Richey? Well, it really perked Richey up, that voltage.

Which was how we came to be yanking girls off their seats outside coffee franchises by their pony tails, don’t see the connection? Well duh, wake up and smell the coffee man. Everything comes back to the theory of relativity – relatively speaking. Girls drink a lot of coffee because they have more to talk about than men, and while they’re talking they like to drink coffee, which in turn spawns yet more coffee shops, and coffee shops as everyone knows, are run by Christian fundamentalists and the CIA. Or so Richey said . . . and who was I to disagree, indeed, sweet dreams were made of this.
But why just girls with pony tails? Uhm, another great Richey Edwards conspiracy theory – apparently, girls wear their hair in a ponytail so that it resembles, well, a pony’s tail, and the pony’s tail is above the pony’s arse . . . and uh, yeah, turns out Richey had this whole anal thing going down (pun intended), only, even though he was a big rock star (deceased), some girls still wouldn’t acquiesce to his uh, advances. The pony tail, in the gospel according to Richey Edwards, was worn solely to attract attention to the rump . . . yeah, sounds pretty bent I know, but hey, don’t shoot the messenger.
I never asked him to clarify the situation with men wearing ponytails, it just didn’t seem necessary, and besides, common logic would dictate that yanking a guy off his perch by his pony tail might well lead to . . . yeah.

Trouble is we have to traipse further afield, obviously people round here don’t sit outside coffee shops, I mean, there aren’t any for a start and even if there were, people wouldn’t drink coffee in them, they’d rob them. Then there’s Richey’s saline issues, he’s like one of those burn victims who needs constant applications of the stuff. Saline is his drug of choice now – his physiological pick-me-up and we procure it any way we can – hold on, status update, I procure it any way I can. This two-pronged lifestyle might be healthy, what with all the walking and air intake it entails, but it’s got its pitfalls too. Great big gaping manholes like; sooner rather than later we’re going to be recognised as those two morons who yank girls off chairs – yeah, that’s them officer, that dumb-looking one there and that creature from the black lagoon he knocks about with, fucking perverts.
Chemists are getting edgy too . . . we’re always hanging around chemists, posh chemists in posh boroughs, chemists without wire cages and in-store bouncers but with comfy chairs and CCTV. Chemists where people like Bob Geldof buy their cough syrup. ‘Is that fucking Bob Geldof?’ Richey whispers to me, I glance over, tell him it is and so fucking what, even Bob Geldof needs to shop once a while. ‘I thought he was dead?’ Richey says quietly as he pockets yet more saline.
‘That was you dickhead.’ I remind him.
‘Is he wearing his hair in a fucking pony tail?’
‘What if he is it’s not against the law.’
‘We should follow him . . .’
‘What the bloody hell for?’
‘I can’t remember . . . incense maybe?’
‘You’re pretty fucked up man, you know that don’t you?’
‘Who wouldn’t be if they’d been living in Atlantis for five years?’
‘Ah! So the truth outs itself huh! Nice vacation was it tosser?’
‘Keep your voice down man, Geldof’s staring at us, oh shit, he’s coming over . . .’

He fucking was too . . . oh Haile fucking Selassie, the last person you’d want to mess with would be Sir Bob, patron saint of meals on wheels. I turn away but it’s too late, the pharmacist is on one side, eyeing us menacingly through a bottle of contact lens cleaner fluid, Bob Geldof’s on the other, looking perplexed, or stoned, who knows – what I do know is that it’s a rat trap and we’ve been well and truly caught, I knew it would happen eventually, and Richey with pockets full of saline and . . .
‘Aye up.’ Geldof says. I thought he was Irish, not a Yorkie.
Neither of us respond in kind.
The pharmacist leans in and says ‘Excuse me Sir Bob, but do you know these two gentlemen, are they bothering you?’
Gentlemen! Ha!

Bob thinks he knows Richey from someplace . . . Richey isn’t letting anything slip other than his mildewed skin. This is crazy - I’m locked in the arms of a crazy life, going crazy, crazier. Finally, we somehow extricate ourselves from Geldof’s inquisition and flee (tramp) across town to pastures new. There is no respite from the insanity however, manic by name manic by nature I guess, we end up in the West End - Richey wants to peruse his impressive back catalogue in the Virgin Megastore. After this we start the trek homeward, eventually we pass a coffee shop and . . . and it all happened in a flash, like a ray of light . . . Richey yanks this chick off her stool, only, it aint no ordinary caffeinated chick. No, this one doesn’t lay on the ground looking dumbfounded, this one is up in a flash swearing in a coarse American voice and it’s then I realise that by the grace of whatever unscrupulous quirk of fate we’ve stumbled upon – Richey has managed to yank Madonna off a stool outside a swanky coffee parlour in Kensington . . . and no, it’s not like a prayer at all; even though Richey is down on his knees . . . Oh Lord, I wanna be sedated.

And I am; one bony knee to the face pretty much sedates me. When I come around there’s police and Madonna and Fleet Street mongrels but no Richey . . . okay, I have an imaginary friend, forget sedation take medication.
After signing a release – releasing Madonna from any liability whatsoever from any-goddamned-thing, I shuffle off home with a fine for breaching the peace. Only as soon as I get back inside my flat I hear splashing . . . ‘What the fuck?’ I say to him after I’ve shoved the bathroom door open.
‘Sorry man,’ he offers, ‘obviously I couldn’t be around a gig like that, messy business.’
‘Oh really? You are one piece of work you . . . and what the hell is that?’
‘What?’
‘That!’ I point.
‘That’s a cod.’
‘Why is it my bathtub? Why are you in my bathtub?’
‘I’m in it because I need to be, he’s in it because I caught him en route, you like cod, don’t you?’
‘You caught it where, exactly?’
‘Man you live in this city and you’ve no idea what goes on underground! There’s aqua ducts, viaducts, hidden lakes, salt water pools, midnight at the oasis my friend!’
‘Really? And why would I be interested in what’s underground? My problems are well and truly above ground! And how did you get back here anyhow, where’d you vanish to?’
‘Slithered, well, slipped, through a grate, easy as, all apologies, nice shiner you’ve got there!’
‘That bitch has a knee like a boiler plate, glad I never bought one of her albums.’
‘Yeah, I bet you watched the in-bed-with video though huh?’
‘Fuck you man.’
‘How about some dill anyhow, to go with Freddy here?’
‘Oh yeah, I’ll just get some out of my gourmet herbs window box, maybe slip on down to Jamie Oliver’s continental deli.’
‘That’s the spirit, say, what time’s the Tube on?’
‘That finished years ago, shit, where you bin . . . oh yeah, sorry.’
‘So we’re eating Freddy are we, let me guess, Freddy after Freddy Mercury?’
‘That and the fact he’s full of mercury.’

Sewer cod and Wasteland greens all washed down with flat cider. Less than an hour later I’m over the big white telephone assailing god – Richey is gnawing on a fish head watching Time Team when the electric goes. ‘Hey,’ he yells out, ‘the juice has gone off man and they’re just about to date the remains of that abbey!’
I answer god first through a mouthful of intestinal pieces and fish flakes.
‘Hey?’ I hear Richey ask again.
The bathroom is a watery grave – it stinks of fish guts – Richey did the gutting while he sat in the bath and then he . . . oh Christ another mouthful, wait . . . and then he ate that cod’s guts raw . . . ah fuck . . . I’m dying, can’t you catch something bad from fish? Botulism?
Something like that, not to be confused with Botchulism which is to do with plastic surgery and spin doctors. Hello paralysis, break down of the spinal column, cold chicken noodle soup . . . god is a spin doctor . . . we fought a war over cod once, can you believe that shit?
‘Can you stop retching up your guts and find fifty p for the meter?’ I hear Richey moan.
Deep down in his pocket he finds fifty p, is that any way for a young boy to be? Geldof is a saint . . . bona fide.

‘It’s freaking dark in here, and cold, so damned cold.’
‘Look man, if anyone’s pissing on anyone’s parade it’s you, my meter money used to last me easy between cheques now it’s gone in less than a week, maybe you should look for alternative accommodation.’
‘I like the way you said that, the ease of your fecundity, and you used two M’s too, good boy.’
‘I mean it man.’
‘You sound like an old Sex Pistol.’
‘Very droll, least I don’t sound like a washed-up preacher.’
‘Ha! Touché, washed-up, I can dig it, you think eyeliner’d help?’
‘What? My budgeting? I doubt it, it’s not cheap you know.’
‘I used to have the best cosmetics . . .’
‘Oh please, not another crawl down memory lane, why don’t you turn yourself into some A&R guy, start all over again?’
‘No way! That’s how I got in this mess in the first fucking place - those jackals stripped me of everything in the name of product.’
‘Some product huh?’
‘And what’s that supposed to mean? Didn’t you think I was great?’
‘A great wanker yeah.’
‘Oh thanks, maybe I should doss with Annie Lennox.’
‘Maybe you should, why don’t you go and ring her?’
‘One, I don’t have her number, two, as you’re well aware I’m in a precarious financial state right now.’
‘That’s right I forget! Oh shit man, like, sorry yar, there’s you with several million quid in the bank and me with no electric and a scummy bath, hang on while I go outside and mug an OAP on the way home from bingo for you.’
‘You’re so facetious you know?’
‘And you’re so fucking wet.’

I had this bizarre dream, somehow, and mercifully the dream censors cut that bit out, me and Richey had had a baby and the baby was Darryl Hannah. She came out perfect, looked all tousled and salty – which is okay. No idea which one of us played mum but in the end Darryl got all uppity about domestic arrangements shaved her hair off and moved in with Gary the nonce Numan. Before all of this I used to dream about fairgrounds, Alice the checkout girl at Video Plus and my aunt Maureen the nun – not all at once naturally, but sometimes there’d be a crossover or a prequel, like aunt Maureen getting it on with Alice as Splash plays in the background while I’m away taking photographs of the fairground with Tom Hanks (making a rare cameo) . . . hold on . . . but now it’s always about me and fish boy having little fish head kids and having to take them down the sewers to set them free. Richey has to go, it’s as simple as that, and I know exactly how to do it, I’ll go see Geldof, that’s what I’ll do, I’ll tell him everything and let him decide, but not tomorrow because tomorrow’s Monday and Bob hates Mondays.

He lives in Chapel Mews, swanky yeah, but hey, he’s earned it, working boy made good and all that. Oh wait, you’re thinking how’d I know right? Like what am I some kind of celebrity stalker, the whole raincoat McMuffin thing? Nah, I know right because Raphael’s kebab van parks up there and celebs buy art off him – celebs like Marc Babel the author, the guy who wrote “White Tepees” that book about Red Indians. Great book, I bought it, saw the movie too, the one starring Sean Penn, and then after the premiere, Penn was outside smoking pot and I went over for his autograph like you do and the son of a bitch accused me of touching him inappropriately. Like, as if dude, but anyhow, it got messy and finally the author stepped in . . . nice guy, well-adjusted, Penn eventually lit off into the night with Twiggy Ramirez. Babel took me for a kebab as compensation, signed my book too, the whole Mark Chapman gig, that’s how I first met Bob, he was there walking his Cocker Spaniel, Fingers, and perusing food stocks in the late edition Evening Standard – so that’s roughly how I know where Bob lives and it certainly isn’t a stalking issue, although yes, I do own a plastic raincoat, I’ve read Catcher in the Rye and I’ve seen Trainspotting six times, so fuck you anyhow.

So I hike up to Chapel Mews on a ruse of going out to borrow bread, in a lateral way the whole gig is becoming Satanically biblically veiled. I sit on a bench staring at the pond – which is the size of a fucking lake and has real ducks on it, I could go a duck right now, roasted, all that oozing fat . . . man oh man how the other half live. And what the Boomtown Rats am I doing here anyhow? I’ve missed two sessions with Dr Cross already . . . and who’s to say if Geldof is even in situ huh? He might be in Liberia fact finding for the UN or the Cote d’Azur eating red duck with some tin-pot dictator looking for a monsoon-season rock gig to boost morale amongst his voodoo hit squads. Bob’s like an ambassador now for the Red Cross and Oxfam and Save the Motherfucking World, like Bono, all those Irish find their way up the stairway to heaven one way or another, only last month I saw Bono on ET swanking around with the First Lady, mulling over ways of maintaining sustainable food production in Yoko Ono or Ohio or someplace equally barren. Not the Edge though, no, you never see the Edge gallivanting about on Air Force One encouraging Tibetan weavers to weave faster for the sake of balding rock stars everywhere. I heard Geldof on Radio Five the other afternoon waxing lyrical on the Street Beat – about how the world had gone from “groovy” to “sick” in forty years . . . a searing (tongue-in-cheek) indictment on urban yoof and popular culture . . . Bob always did like to gnaw on the hand that feeds, which is why he hangs about with Lemm Sissay and Jeremy Irons and I sit on park benches dreaming up ways to snare a pea fowl (when I’m not babysitting zombie rock stars of course).


Hours pass, probably days, I watch Raphael pull up in his Merry Prankster kebab van and open for business, a hundred gaudy fairy lights and the sweet aromas of marinated lamb and fresh turpentine fill the tepid evening air. I watch Raphael bung up his easel and go to work on another five grand masterpiece that some celeb will most likely take home still dripping along with one with the lot. People pull up to the stand in fucking limos, butlers and chauffeurs climb out and hand Raphael wads of notes and Raphael laughs gaily and intermittently drags on a spliff the size of a Subway meatball lovers to go. Given half a chance I’d drink that turpentine and when I was just about as rabid as Gwen Stefani on MTV awards night I’d . . . ah, Herr Geldof approaches, I’d recognise that lope anywhere, only two people who’ve lived have had that signature lope, Geldof and Jesus, though Jesus was hauling a cross I suppose and was probably in no great hurry to get it up that bloody hill. Oh fuck me, is that Kate Bush? It damned well is . . . well, there’s a turn up, I should call Mojo, claim a reward, take a mobile snap . . . wait, I don’t have a mobile and even if I did I’d have no credit . . . wow, she’s only two feet six tall, probably talks backwards too – fucking scary, her aide is lifting her up to the van’s hatch now so she can order . . . oh man . . . this is sick, sorry, groovy, no, it’s sick and fuck yoof street vernacular of the now - tossers.

By the time Geldof saunters along I’ve all but had enough. It was a bad idea, but, Bob’s kind of approachable, not at all like Simon Le Bon, and after having waited three hours I pluck up the courage to wander over to where the great man is hanging patiently for his dog to take a dump so Divine can come along after and clean it up. ‘What the fuck do you want?’ He says to me menacingly, without even turning around.
‘Uh . . .’ I falter.
‘I’ve got a wolfhound here you know, savage brute too . . .’ he mumbles.
I can see it isn’t a wolfhound - it’s only a foot and a half tall for starters.
‘Nice dog.’ I offer.
‘Hound.’ He corrects me.
‘Yeah, hound.’
We wait for the “hound” to do its business. Then Bob kicks some dirt over the shit and turns back toward the van, ‘Oh, you still here . . .’ he says as he shuffles by me.
I nod, which is dumb because Bob has his down, ‘Well, come on then.’ I hear him say.
‘Uh . . .’
I am in the presence of greatness.

Bob has a full size snooker table which is bigger than my entire flat. A big snooker fan Bob is, fancies his good self on the green baize whereas yours truly is rubbish with balls of any type. I decline a few frames based solely on that, despite the fact I’m standing in Bob Geldof’s den being offered the opportunity to sink a few. ‘So, what is it you want,’ Bob starts laconically, ‘it’s about Captain Justice isn’t it?’ He adds, brushing a fleck of dust off his gleaming snooker table.
‘Who?’ I reply.
‘Well if yer don’t know then it most probably isn’t, something to do with holy innocent’s day is it?’
I hate the way Geldof pre-empts everything.
‘Flocculence?’ He says before I’ve even processed holy innocent’s day which sounds like some bootleg Manic Street album.’
‘None of the above,’ I finally spit out, ‘I think, though it depends what flocculence actually is.’
‘A kind of bad wind . . .’ Bob begins, then his phone rings and I know for sure it’s Midge Ure - don’t ask me why, it’s a gift. Bob comes back several minutes later, ‘Bloody pop stars.’ He moans, which is my cue . . .

I spit out my ridiculous tale in quick fire sentences that all join together to create a stream of verbal gibberish that’d make any social retard proud. Bob though appears to have understood every word . . . ‘Thallium.’ He answers instantly.
‘Huh?’
‘In lay person’s terms, rat bait.’
‘You’re suggesting I kill Richey Edwards?’

No need to elaborate, suffice to say, two weeks later and I’ve developed a theory. Bear with me, it might sound far-fetched, but wait, give it due consideration. Okay, here goes, Richey Edwards is obviously a zombie, no arguments there, much as I might have liked to have thought otherwise – goddamned true. But, he isn’t just any zombie, no, I mean Christ all fucking mighty he used to be a Manic Street Preacher – worshipped. No, Richey Edwards is a prince among zombies and he’s returned to overthrow, wait for it, suck in a big one, to depose Geldof! Crazy, you say? Ha, think about it, Bob mumbles and shuffles and he never fucking sleeps man, EVER! Bob Geldof is king of the zombies – correction, king of the rock star zombies, ha! I’ve researched this you know, thoroughly, and you know what? There’s sighting’s every damned where, only, people are too freaked out to talk about it – right on. This guy in the White Rabbit last week said he knew a guy who’d swear he’d seen Sid Vicious panhandling for coinage outside Kings Cross with a switchblade . . . this girl reckons Keith Moon gate-crashed her party over in Marylebone and demanded Pete Townsend’s address! But wait, there’s more . . . Brian Jones, no less, seen lazing in the public baths at Clapham as if he didn’t have a care in the, uh, after world . . . shit is happening and as per usual NME journalists don’t have a bloody clue.

It’s obvious what needs to be done and I’m not the only one thinking it. Ted’s Garden centre hasn’t been so busy since the blitz began. No fence stakes there, he’s waiting for a new shipment from Iran . . . same story at Lockley’s Hardware, fence posts have vanished from all over the allotments, Dad’s Army are out on the march again, spitting and polishing old medals and old wounds. When I need a goddamned stake there isn’t one to be had for love nor money, and me with the King of the dead rock star zombies living in my bathtub! But wait, what the hell am I thinking about? Me kill Richey Manic with a stake? Hold on, that fucker’s already dead . . . but still, that’d be like trying to kill the king of the gypsies with a barbecue fork, and anyhow all this bollocks about being able to kill the un-dead (maybe that’s an oxymoron, always wondered what that meant) with a piece of wood and a rubber mallet is most likely bullshit. Bloody Hollywood . . . strangely it’s a lovely day out, dappled sunlight and girls with tattoos chewing gum . . . life on the dole.
Down by the old sweet factory I don’t find fifty pence, but I do find a mouldy old piece of wood that with a bit of luck and a half decent blade I can fashion into an instrument of zombie death. I meet Ewan from the video store on my way home, he has blood caked on his hands and smeared across his lips. ‘What up?’ I say, going into estate gang boy vernacular.
‘Yo man,’ he says as he lights a rollie, ‘took ten of us to kill John Entwistle!’
‘The guy from the Who? Fuck man he always looked half dead.’
‘Fucking Who, I hate the fucking Who man.’
‘Yeah, this is fucking weird shit innit?’
‘Gonna get messier when that fucker Manic rocks up looking to sick it on.’
I blush slightly, so everyone knows that Richey Manic’s started all this apocalyptical shit and if they find out he’s in my tub then the whole estate’ll go gaga, they’ll probably burn the whole shithole to the ground like something out of Kafka and good riddance to bad rubbish. I’m on the bank of the canal, correction; I’m on the bank of what used to be a canal in the steam punk age and that’s now a ditch full of hard waste and shopping trolleys. Least there’s an old saw in there along with the rats and me with no fucking tetanus booster either . . . so there I am worrying about infection when the rusty saw I’m using to fashion my fast fading post into a stake rips across my own thumb. Just what I fucking need . . . no point complaining, my country needs me, the rock and roll hall of fame too. Elvis Presley and Joey Ramone are on the rampage in America, not my business, we have our own slash and burn festival right here right now. Right, that’s it, good enough, though I doubt it’ll pass through a cardboard box let alone a breastplate I forge on regardless; England didn’t get to be the shallow gene swamp it is today without few good men and the odd dyke queen getting up off their arses and swinging a claymore or two in anger.
Secretly, I’ve grown kind of fond of him . . .
Of course he’s in the bath; wrinkled, green and smelling pretty ripe. He’s a smart one though – I catch his watery eye, the good one, ‘Ha!’ he sneers dismissively.
‘Ha what?’ I reply coldly.
‘Is that a stake you’ve got in your pocket or are you just pleased to see me?’
‘It might be . . .’
‘Think you can use it?’
‘I think I could try.’
‘You could, go on, try, dare ya.’ He goads me. Two things I don’t like, being goaded by the un-dead, having some twat stick a finger in my face. I whip the stake out and raise it above my head. ‘You look like fucking Anthony Hopkins playing Van Helsing!’ He laughs bitterly. ‘And you look like him in the Rite!’ I shoot back.
‘Well I am fucking Welsh, what’d you expect?’
‘You’re not Welsh.’
‘Am so.’
‘What fucking ever, Welsh or not, you gotta move child.’
‘Keith Richards eh, there’s a zombie ain’t even dead yet!’
‘Keith Richards isn’t in my bathtub!’
‘Half your luck, you going to use that stake before the termites eat it all?’
I’ve had enough of this bullshit, this back from the grave repartee, I plunge the stake down closing my eyes as I do, hear him gasp, let out a liquid moan, push harder, wait, wait, wait – then I hear him laugh.
I open my eyes and there he is, smiling like Satan himself on barbecue Friday, my stake clutched to his chest in a great b-grade horror pose. I immediately let the stake go, he crumples it in his hands until it’s nothing but matchsticks, ‘Wanker.’ He says to me condemningly.
Worse part is he’s fucking right too.

‘Takes one to know one.’ Is all I can think of to say in my petulant schoolboyish way.
‘Egg fucking zactly!’
‘That doesn’t make any sense whatsoever.’
‘Doesn’t it?’ He asks smarmily climbing from his slime bath.
‘Look,’ I begin but for a zombie he’s pretty fucking nifty, grabs my old steel comb off the basin, the one I’d sharpened long ago in metalwork 4 with Herr Morris, spins around and plunges it into my cheek.
‘What the shit!’ I scream, clutching at my own face.
‘And now watch this . . .’ he says like a fucking magician as he pushes me toward the fractured mirror where I see . . . he yanks the comb out and with it comes half my face – no blood. I grip the basin for support; hear him laughing at me from behind, the cocksucker. I see the comb still stuck in what was a piece of me in the basin, instinctively retract the comb, turn around and shove it into his mush. Startled, he rocks backwards, ‘You cheap little fucker!’ he reprimands me.
‘Me, cheap? I wasn’t the fuckwit who leapt off a bridge man!’
‘What would you know about the pressures of success? All those black eyed girls with garrotted dreams hanging around, never fleeing the scene of the crime – have you any idea how many I killed in the name of love?’
‘Whoa, wait up, word up, shut the fuck up, you just said how many you had to kill, right?’
‘Yes, kill, it was the only way man the only way.’
‘How come none of these deaths were reported?’
‘Grow up dude, what’d you think record companies are for?’
‘Yeah right . . .’
‘Man I just had to call this number they gave me and they’d come clean up the fucking mess and sort me out an alibi, even ran some red herring story in the papers about a possible serial killer called the Stage Door Killer, ha! They never had any originality!’
‘How many?’
‘Does it really matter now, in the wash-up? No pun intended.’
‘You slimy fucker.’
‘You’re a fine one to talk my newly dead friend.’
‘What?’
‘You don’t notice anything different, say about your state of personal hygiene, eating habits, sleeping arrangement . . .’
‘So what, I’m tired, I’ve got no bread for deodorant and I’ve developed insomnia since you turned up plus I’m on a diet, it’s called the welfare diet.’
‘A diet, please, since when has human flesh been a part of a well-balanced diet?’
‘WHAT! I’ve never partaken of . . .’
‘No?’ He cuts me off, ‘then who the hell’s he? Let me re-phrase that, who the hell was he?’
I look at the crudely-gnawed corpse on our sofa, recoil in horror - feel my guts rumble hungrily, how the fuck did Ewan from the video shop turn up dead and half-eaten on our sofa? I was only talking to him . . . oh dear shit, no.
‘Talk about my antics, damn, that’s the pot calling the kettle black for sure, now what’s to eat, I’m famished.’
We both stare longingly at Ewan, well, what’s left of Ewan to be precise, guess I needn’t worry about getting Return to The Planet of the Apes back anytime soon. Outside we can hear shrieks, not the usual Friday night shrieks that accompany muggings, weird high-pitched banshee shrieks. Richey shuffles to the window and in the half-light with half his face missing he closely resembles the charismatic lead singer he once was. I put my hand to the hole in my face, my fingers slip inside but all I can feel is nothing.
‘It’s time . . .’ he says, kind of reverently.
‘That’s what Jim Morrison said once too.’ I find myself answering, though the words no longer fall to earth from between my lips, now they get sucked out of the hole where my cheek used to be – like passengers in rows D thru F when a plane has blow-out.
‘We have to make the bridge, the bridge, it’s our only option.’
‘What? If we’re already dead then surely death can’t hurt us, what’s the drama?’
He spins on me fast, a blur of flesh strips and mildew, ‘Doesn’t hurt? Don’t you fucking believe it!’

There’s no point in arguing, what else am I going to do? I crawl through the night with Richey Edwards, ex lead singer of the Manic Street Preachers, toward his favourite haunt, the only place he feels safe other than my bathtub I guess, a ledge on a bridge staring at the sanctuary below.
Right at the end, when we’re up there, watching the city burn, he smiles awkwardly at me, with the state my face is in my reciprocation must look pretty damned ghoulish. ‘Well?’ He says quietly as the wind whips the word away to a grey eternity.
‘Well, guess this is goodbye then.’ I say.
‘You not coming?’
‘Think I’ll pass, I fancy seeing what life’s like post apocalypse.’
‘Life, yeah, I faintly recall that.’
‘Take care Richey.’
I watch him hurtle down, like a crippled pelican, juggling velocity and viscosity as he descends, then I see a small impact, it’s too dark to see much – was that what it was like the first time? Sad, that’s what it is, sad . . . no one likes record companies really.

Turns out my head-shrinker Dr Ely completely understood my situation, told me that a whole host of agencies had been set up to rehabilitate the un-dead back into society. There were no more stakings and burnings, now they had zombie collectors, folks who rounded them up like stray dogs and put them into a holding facility, the living are even adopting them! Things have sure changed . . . pity Richey couldn’t hold on, he’d have liked it here I’m sure.

Monday, December 5, 2011

LOVE ZOMBIE


no one cares you can/t/don/t get/give a fuck
get laid or screwed or even
give away a blow job
coz you got no lips
everyone likes a touch of darkness
sure, intrigue & mystery
well okay,
but no one likes a monster
no one likes a creep
no one likes a messiah
no one likes a preacher
one day someone/s gonna spread
your head
way before you can
spread your dirty legs
a little suffering never did
no one no harm.

Thursday, December 1, 2011

THE MORTICIAN'S KISS


this love is thermal
waves of sensation under constellation covers
saturates and penetrates,
the wolf’s pelt shelters stolen lovers
from separation
out on the desolate plantation
where everything fell; husks of past encounters wither
the dead hang in trees
lanterns shedding light into the corners of possibility
the journey never ends, nor begins
in another time, another place
remember this bite, this touch, these words,
the stigmata of union overrides
incarnations
there is no perfect square, no complete circle
the universe inside your mind is infinite
the soul of your essence distilled
can never be taken;
burn down your reputation and expectations
you are immortal, you transcend time
this love is a torch
find it
leave your book open, your bed cold
the way ahead is through the known, beyond the unknown
to the blue light of magnetism and attraction
push the door – begin
the first step is not the hardest
the last is
start
by accepting
the mortician’s kiss.

Monday, October 10, 2011

CULTIVORES - EXCERPT - OUT THROUGH OPEN BOOKS - NOV







" . . .

Corporation Rule #1

They who control the present control the past.

Corporation Rule #2

Iconography Of The Family Will Not Be Tolerated.

CHOOSE!

The Past

The last great civilisation to rule the earth were called the Capitalists. They governed for centuries under blue skies and those skies inspired them to invent the blue technology. At the height of their power they could, it is told, travel in to or out of the blue at will. Then the heat began, slowly at first, gradually increasing until life could no longer endure it and radiated men ate radiated men. Those who had fallen prey to the eradication policies were considered fortunate, many others died at their own hand – the plutocracy however went underground. Finally the storm arrived, great fires swept the cities the Capitalists had erected in their own honour. For many years the ruins of the Capitalists' civilisation stood blackened – testament to the futility of their math and size of their ego. Nomads wandered the earth collecting what had survived the climatology atrocity. They called these artefacts the Cultures. That is the story of the Capitalists and the extent of their ruination. They are now consigned to the recycle bin of history as the Old People. We honour their plastic culture.




“The trouble with plastic culture is that it's prone to melting.”
The Cook

The Present

What cannot be undone must be left alone. If one begins any undertaking with the variable, one must expect the end result to vary. There is no blue sky. The sky is orange. Those controlling the present call themselves the Cultivores. They are the fifth dynasty to attempt to conquer the earth. Their lands are known as Cultivation and these lands are governed by the Corporation. From the infrastructure known as Capital Investment they pay homage to their forebears. They idolatrise the Cultures and they buy and sell time. They have no enemies, no theologicals and no bad math. Theirs is the time of great achievement, a time when all must serve for the benefit of all. They have built the first great wonder of the new world, and that wonder is called the Wall of the Sun. Unlike their ancestors they will not attempt irreducible sums, instead they will wait, wait for the much heralded blue to re-emerge. This is the story of the present and how it will eventually re-engineer the past. They are the New People and their blueprints are wired for sound.



Corporation Rule #468

Excess Noise Pollution Is Punishable By Sonic Radiation Treatment.

The Fable

It is said, in the insulated towers of the Corporation, that the theologicals will one day try to rise again. That an emissary from another, as yet unknown civilisation, will carry with her the sacrements and testaments of old lore and will be known as the Duch. She will attempt to distribute these spores of antiquated legacies among the peoples of Cultivation in the hope they will repent and follow her divine light to a fraudulent salvation. Only one man can prevent Cultivation from being infected with these tainted tenets and that man will bear no title or address but instead a number (known as the irreducible sum). He will travel to the very edge of Cultivation to the Gates of Philanthropy and the great Wall of Sound to pass this Duch unharmed through the portal back to her own. This is the fable and its outcome can be manipulated by time, math or incompetence. Remember, those with blue eyes never tell lies.
A Note On The Math:
Please remember that the Math is not Time. Time is an altogether different quotient and it has no master other than Captain Sensible, leader of the Venturists.





0 – Choice

'CHOOSE!' The Brigade guard shouted at him as he stood at the intersection of the blue and yellow industrial zones known as the perfect square. He nodded politely at the guard then started along the wall. Of course in theory there was always a choice, apart from when there wasn't.
Corporation Rule #4
Freedom Of Choice Is Encouraged So Long As The Choice Made Is In Line With Corporation Guidelines.

Naturally he chose left, toward the blue zone where he worked. A fact that was obvious to the Brigade guard because he was wearing a blue star. He'd often wondered what would happen if one day he chose to go right, what would the guard do? He'd never seen anyone make an unwise choice.
He walked the wall every day. The Corporation called it the first Great Wonder of the New World and during its construction each New Person had been ordered to donate something to its erection. The Corporation named it The Wall of the Sun. Everything the New People had delivered had been built into it. It was a towering monument to their achievements – or so it was said. Occassionally he would search for the blackened brick he'd contributed, the one he'd found near the area known as the Mission. It was a futile search, just another irreducible sum, there were too many bricks and his had vanished among them; as he himself was just another number in the Corporations's adding machine waiting to be tabulated. When the Corporation had unveiled the wall they had told those gathered that if they could go into space they would still be able to see the it. 'So what?' the person next to him had said in dismay, 'If I could go into space the last thing I'd want to be reminded of was Capital Investment, especially when I could see the real deal!' Comments like those were becoming more regular he'd noticed and people were less inclined to report such to the Brigade.
The wall stood for hope and inspiration. Its entire length was blue apart from the huge yellow sun and it had taken all of the blue left in the world to paint it. Blue had become to the New People what gold had been to the Old ones. The wall could only fall when the real sun re-appeared. There were corporation slogans on it - advice for the good of the people, advice meant he supposed, to encourage loyalty and deter curiosity. Passing the wall again on his way to the D&D as the first streaks of Orange appeared above, he read:
Get Busy! Get Happy!
You Are Either On The Clock, Or Off It!
Embrace Alternative Technology!
Keep On Rocking In The Free World!
Spermologically Speaking – Unauthorised Breeding Is Below Contempt!
Toolman Strikes Again!
Save Gas!
Sociopathic Behaviour Will Not Be Tolerated!
Opinions Are The Sole Domain Of The Opinionated!
Remember – Curiosity Leads To Insobriety!
Choose Life!
Remember! Those With Blue Eyes Don't Tell lies!
It was the last one that always caught his eye. His brown eye. Everyone had them, a result they said of the atrocity and its aftermath, some genetic malfunction and on account of the sky having been orange by day since forever after – brown eyes dealt with the orange better – the New People had evolved to suit their climate. Corporation people had blue eyes, though many of the people he worked with said that Corps were using Blue Rays, lenses that altered their eye colour to make them appear superior. There was much more of it now – discontent - nothing made any real sense.What, for instance, was alternative technology? He paused to read a Bulletin stuck on the wall near the D&D – it was from the CIB – Climatology Investigation Bureau and it said that the real sun wouldn't appear for some considerable time due to prevailing currents. Further along he read another missive from the Brigade, it told him and everyone else that sighting a Straynger, or as they were more commonly known, a “Duch”, and not reporting it, could lead to eradication. Strayngers, carried the “Theologicals”- the deadly spore. No one he knew had ever seen one and most thought it was just another scare tactic.
He worked all day in pursuit of diligence and then walked the wall again as dark fell, their night, a crimson streaked black without hope, devoid of constellations or galaxies, a dirty black lid on a dirty black life. In his communication hole was a note from the Corporation advising him he could re-test for a Bluetooth in one year's time. He studied the note as if it were the key to escape, escaping the insanity, the slogans and the rules of the Corporation. Rules were everywhere and there was a rule for everything, just how people kept abreast of them he'd never fathomed. But a lot didn't, more and more were just punching out, disappearing from the greater scheme of things and heading out, somewhere, anywhere. A lot headed for Urban Jungle, that much he knew because many of his fellow New People talked about it incessantly. It was gold, they told him, a glittering oasis of non-conformity; there were no rules and there were Dandy Eunuchs and Plastic Reginas, all just waiting to serve anyone. Of course those kinds of starry-eyed tourists never mentioned the bounty hunters, the re-congifured renegades and Machine Girls the Corporation used to hunt down anyone stupid enough to make a bad choice. Still, it didn't seem to matter, each day he turned up for work someone had just vanished – either out on the run, already dead, or on their way to Denial wishing they were already dead. He climbed into his cot and lay there listening to the sounds of locos thundering past, industry never slept. He looked at the Bluetooth re-examination notice again the next orange, he'd already failed the thirteen “If” questions twice, even with extra study. If he failed a third time he'd never get a position above what he held now – a manual. He had no Bluetooth, no title and no address, just a number. Number 111023, that was his name and it was indelible and tattooed on his forearm just in case he ever forgot it. He belonged to the Corporation. There was nothing new under the Wall of the Sun.





Corporation Record/ Person ID 111023
Eyes: Brown.
Status: D&D Employee.
Current Whereabouts: Capital Investment.
Patriot Colour: White.
Convictions: None.
Corporation Comment: Model Citizen.
Achievements: None.
Title/Address: None.
How Earned: N/A.

. . . There was war in the air as he walked the wall. The Blue Sky Hunters had been at it again overnight, daubing the wall with angry red slogans about the new dawn.
. . ."

Wednesday, September 7, 2011

Anarchy For The UK


My father is as mad for electricity as Watt, Faraday and Edison combined. The government of the day are being held to ransom by the union powerbrokers of the day, and it is not the mounds of garbage, mounds of unburied frozen stiffs, or even the possible onset of another bubonic plague that is getting up my old man's nose. It is the new regime of rolling power cuts. We lose our electric for half a day, morning or night respectively, almost every day of the week. My dad, working four jobs, well, working one on a three-day week, has recently turned our garden shed into a cottage industry overly reliant on coalmines. Without coal the electric stops, without electric, my old man's vision is stopped. Before the strikes really get going my old man was up in that laboratory ever week night and when he crept back in the house in the wee hours, he looked as crazy as Patrick Moore on 'The Sky at Night'. Now he looks even crazier than that. Whereas at first he was cock-a-hoop about lower electricity bills, the reality has dawned on him that without the volts and juice - his workshop is kapput.
I don't know what it all means, but if it means half-days or no days at school, they can strike as long as they like, because it isn't affecting me. These are happy times. Probably the happiest I can recall. Happy and gay, because people are out on the streets in small groups, some angry, carrying cudgels, others are more relaxed, pissed, standing around dustbin fires burning their own furniture to stave off freezing to death in their own beds. Britain is a swell and dandy place to grow up in I think, as I wander up and down our street on a power off afternoon seeing the flickering lights of candles in windows. It is Victorian indeed. My granddad says they ought never to have changed the gas lights to electrickity, and he can remember when the guy came around to light the lamps each night. I wish my street was like that now, some cobblestoned throwback to Sherlock Holmes and swirling mists and Jack the Rippers. I bet even back in those days it stunk just as bad as our street does now. I mean, they didn't even have proper sanitation back then, they just used to shit wherever the fancy took and bung their ox bones out the front door for the rats to gnaw on. I am getting used to rats sitting on our front wall chewing on the waste of humanity. My old man is still up in the shed most nights, trying to steal electricity from some grid or junction box or transformer or whatever. If it's electric you're after, my old man's hands bow like a dowser's rod as soon as he senses the juice buzzing through cables someplace. My mum says he'll end up getting nicked and ruining our good name, a name, I might add, I have already gone a considerable way to damaging anyhow.

I like the strikes. I am all for them because I'm alright Jack, thank you very bleeding much. When I get in and it's dark, like its dark outside, I get to eat baked potatoes that have been done in the ashes of the coal fire, and baked beans burned to a cinder by my mum on the camping stove my uncle John acquired from a posh widow in lieu of services previously rendered. I like all the chitter chatter, the static charge of imminent anarchy that hangs in the air like the balmy gases of the decomposing unburied cadavers down at the cemetary, though, the gases only leak out slow on account of it being the worst winter in living history. Yesterday, I got to sled up and down our street on a piece of rusty corrugated iron from my granddad's backyard. There were no cars around as no one had any money to buy petrol, and those that did have enough bread to buy it were using the petrol to run private generators or torch any building remotely connected with local members of parliament. The general consensus being from the man on the street, that the lazy bastards ought to get up off their arses and shovel coal twelve-hours a day.
I like the smell of anarchy. It's like Guy Fawkes Night only with a higher probability of carnage. Good old Guy, there was a man who had fully grasped the ground level principles of government; which were, seek and destroy. So, it snowed and our street went white and for a while the good people of my neighbourhod came and stood outside holding candles and wearing wee Willy Winky nightcaps gawping at the snow because the plug had been pulled on the idiot box. Meanwhile up in my back garden, my old man, by this stage certifiably insane, had somehow run about two-hundred feet of cabling he'd illegally removed from an electrical contractor of ill repute up a pylon about a half-mile away. By the grace of whatever dumb brute of a beast it was who oversaw my old man he had not been fried alive, and thus, I was spared what would have been an exciting morning watching electric company linesman scraping pieces of what once had been my old man, into an urn the size of an eggcup. Ho hum, life goes on, as do rats, garbage mounds, bread shortages, coal shortages, and the general upsurge in the nation's birth rate. I heard Mr. Zeus, the grocery store owner, telling several ladies of low-to-do slackness that it was all a fiendish government plot to get people to copulate rather than oogle News at Ten and then go to bed with a cup of cocoa. The ladies it seemed, where in total agreement, as they, so I understood from my eavesdropping position, were all in the club themselves. When a shop is dimly lit and idle chitter chatter about copulation and Winston Churchill is the rage, it is ridiculously easy to shoplift. Good old Winnie. As the unions began to grind the government of the day's chances of winning another election for half a century down to bonemeal, my old man was making hay while the lamps he'd strung up in his shed burned bright. No one saw, he was a fugitive child of the blitz and blackouts and he knew how to make light vanish. He needed to too, because it would only have taken the eagle-eyes of one nocturnally-attuned neighbour to bring an angry mob of electricity-deprived-sick-of-copulating residents storming up our back garden with pitch forks and pokers.
Not that anything like that would have deterred my old man from his fiendish plot to dominate the new-fangled audio industry. Despite the strikes, the blank faces, the dreary weather, the monotony of hunting for coal, the English were taking to stereophonics in a big way, well, when they had electric they were anyhow. Pirate radio was broadcasting to a million kid’s bedrooms through battery-operated transistor radios in the dark gloom of night – and a good thing too, it was far more preferrable than having to listen to your parents copulate again. The pirate ships were anchored out in the choppy, deadly waters of the North Sea, which, even though my geographic knowledge was sketchy at best, I figured was north of Luton someplace. One kid, Alexander, told me they ran skiffs to and fro the Gonads to collect supplies and easy going chicks lacking rectitude. For a considerable time after he had implanted that kernel into my fast decomposing brain, I believed that there were a group of islands off the NW coast of bonnie Scotland called the Gonads where pirates who spun rock records, occassionally went to pillage women lacking arseholes. They were strange times, but nonetheless, prophylactic ones, but not in a prophylactic sense, given that the swinging sixties still had a swing or two left in their tailfeathers. Women, so I heard it said, were looser than they had ever been before, apart from up on the Gonads I suppose where they were pretty tight, given their lack of rectumal activity. On and on the three-day week and the power cuts went, and as is the British way, sooner, rather than later, pretty much the whole nation, apart from those up in places like Preston where they didn't even have electricity, grew accustomed to frugal power useage. Excepting my old man of course, he was burning more juice than Alcatraz on execution day. Sucking it out of the grid as was his wont while crazily designing a whole new era of stereophonic devices that would, he presumed, all but deafen the vast majority of British youth in their insatiable lust for rock 'n' roll. I admired my old man for his foresight, and his ability to steal from the electrcity board at a time when they were depriving everyone else of current. The trouble with electricity, as many other half-crazed would-be entrepreneurs have found to their own detriment, is that it is an unstable and unforgiving adversary. Fuck about with it too much and in the end it will turn around and burn you, alive if needs be.
Those times alas, are not like these times, back then it was uncustomary to hear a siren wailing, the war had been over for nigh on a quarter of a century, and unlike now, when upon hearing a siren the average man-in-the-street completely ignores it, during a power cut in England in mid-Winter in the late nineteen sixties, a siren going off and going off while simultaneously growing louder in intensity, was a big deal. And when those sirens actually came up your street and, not just up your street but right to your own front door, it was way more exciting than pirate radio and Batman combined.
There had a been a lot of small fires given the excessive use of candles by people who ought not have been let loose with the damned things, let alone matches. There had been chimney fires, bonfires that had somehow gotten out of control, gas explosions - the usual by products of hard economic measures and cruel and merciless depravation of electric light and heating. My old man however, was the first person to have his garden shed explode into a fireball and light up the surrounding neighbourhood for a mile in all directions as bright as a summer's afternoon. Many people thought it was the oft prophecised alien invasion, others, deprived of regular BBC news on television, thought it was a meteor strike. Some thought that some madman had blown up the power company, and even more thought it was God's sign to parliament that the people had endured enough and the miner's ought to get back to their mole-like vocation tout de suite.
Unfortunately any of those other worldy events would have proved more intriguing than having to watch your own old man dragged off by the fuzz for a myriad of crimes ranging from threatening behaviour, endangering life, defrauding the national grid - right through to storing hazardous inflammable liquids without the proper licenses. Nonetheless, I enjoyed it immensely. Oh, and what really pissed him off most was getting done for not having a TV license when he couldn't even watch the bloody thing! Life went on begrudgingly, as was the way in most parts of the fetid kingdom. The miner's went back to digging coal - the garbage got burned where it had been piled by de-mobbed WWII veterans who hadn't been able to find gainful employ since Nuremburg. The dead got incinerated, the government got thrown out at the earliest opportunity, and my old man walked away as clean as a whistle (apart from the TV license) on a technicality.
Within a short time the days of the strikes and community spirit were discarded along with black and white televisions and oldy style gramaphones and the English took to ownership: to rock music, hi- fidelity and adultery in a massive way. Things were never to be the same again, not on my street, not on any street in fact, and certainly not in our garden shed which was nothing but a pile of charred debris -a fitting testament to the ingenuity of the average Englishman-in-the-street.

Tuesday, September 6, 2011

Luiz versus the Hound of the Baskervilles





Luiz finally got the Parka coat he'd been pestering for, the one with the quilted orange lining and synthetic-fur-ringed hood, because he'd gotten a paper round. He was trying to go straight after his earlier dalliances with petty crime. His mum finally got the coat on the club, a very English scheme that enabled her paying for it at so much a week, with coin of the realm or services in lieu of. His mum told him, twice, that if anything happened to the coat, especially while it was still being paid off, there would be all hell to pay. Big fucking deal, Luiz thought.
He was chuffed with the coat anyhow. When the hood was pulled up you couldn't even tell he had ginger hair. The paper route Luiz was riding each morning culminated in a street just one away from where he then lived, and for a month or so, the round went okay and Luiz proved himself a diligent and reliable pre-dawn deliverer of national news in all of its multifarious English newspaper forms. It was relatively simple work, even for a retard like Luiz. You cycled down streets, up paths, opened front door letter flaps and wedged said newspaper therein, basically shredding the first eighteen-pages of the Telegraph or Guardian. Luiz's family were always Express or Mail readers and newspaper's like those that were always light on editorial, always slipped into the average mail slot a treat. Strangely, that was about the time Luiz became aware of the great English class system. Newspapers like the Sun and the Mirror (the rags), were always delivered to council houses, whereas the Express and the Mail went to middle-class homes whose occupants still thought of themselves as working class, but not as low-brow as the real working class, and your snobby, snotty papers like the Telegraph, Guardian etcetera went to upper-middle class homes with fences and gates and signs like No Trespassing! And Achtung! If you were lucky enough to deliver a Times or a Financial Times, well, then you'd spend a half-hour riding up the driveway to reach the letterbox and a butler would most likely snatch it from your filthy hand and go iron it. The same class system didn't apply to Christmas tips however Luiz discovered. The best tippers were always the middle-class, followed by the council house tenants, followed more meagrely by the snobby snotty upper-middle class and you could fucking forget a Times reader tipping you at all. Luiz pretty soon learned that that was how they came to be reading the Times and residing in a house with a moat around it – by not fucking tipping the paperboy, coalman, milkman, postman, butcher, baker, candlestick maker et al. Needless to say, it was those snobby bastards who got pretty short shrift from their paper delivery person, let fucking Jeeves traipse down that driveway and pick the fucking thing up before the crows got at it. That was the general paperboy's anti-code. All was well. Until a new street got added to Luiz's ever-burgeoning but unduly recompensed route. On this additional street there was a shabby house with a brute of a hound stalking its unkempt gardens. The first time Luiz set eyes on that beast he knew it was a psychotic canine, the kind of drooling, slobbering, hulk of a crossbreed used to digging itself out of its own grave and eating parts of its own anatomy when scraps became scarce. He'd only got the damned street added to his round anyhow because the newsagent, Mr. Maxwell, had heard Luiz bearating the stupid little bastard who'd had it before him about being scared of Pluto and not holding up the paperboy's code of We Deliver!

So there he was, lumbered through his own inability to keep his cakehole shut. The guy who owned the house with the dog kept telling the newsagent that the bloody thing was only a puppy and wouldn't hurt a fly. Obviously, a lumbering lump like that wouldn't have the agility to nab a fly, but a paperboy wasn't a fly, was he? To his credit, Luiz was the first kid over that gate anyhow, and amazingly, the dog only raised one saggy eyebrow and drooled lazily, before it started sucking its own reproductive equipment. After that the dog and Luiz struck up a kind of mutual respect; it respected that Luiz had to deliver a fucking Daily Mirror each morning, and Luiz respected the fact that at any given moment he could be seriously mauled in the course of performing said delivery obligations.
They went on like that for four or five weeks, mutually admirable, until the weather began to deteriorate and Luiz swapped from the denim jacket to the Parka. The first morning Luiz hopped over that gate dressed like Scott of the Antarctic, that fangy mutt was up on all fours with its hackles raised and its donger erect, snarling like some maimed beast. Luiz wasted some time attempting to placate that obviously riled animal with puppy platitudes and a rolled-up Daily Mirror - although he wished it had been a Telegraph, at least that fucker rolled-up gave you a bit of clout. Hitting a dumb deranged animal the size of that with a rolled-up Daily Mirror, was about as pointless as trying to stop a runaway train by standing in front of it with your hands out. As he made for the letterbox, with the paperboy's code forefront of his mind, the dog sprang to life with an agility that would have made the British Olympic selectors drool. It was on Luiz in a flash, its wet animal smell and warm breath all pervading. The Daily Mirror went in one gulp. Good riddance to bad rubbish. It had paws the size of ham knuckles. Teeth as yellow as Luiz's aunt Isa and fangs as long as icicles on a wintery morn, Luiz said goodbye to life:
Paperboy Killed In Savage Attack By Footloose Hound! As he braced for the inevitable bite; for losing a hunk of face and protracted plastic surgery that would most likely make him look like a South American villain, he toppled backwards and the hound fell with him, wherein it began savagely tearing at the fake fur around the Parka's hood. Luiz could hear large remnants of cheap manmade wadding being torn from even weaker stitching, and then he could hear the hound choking, trying desperately to chug up a synthetic fur ball. He didn't move, a sagacious non-move as movement itself is not advised when a dog, or indeed a bull elephant, is in the process of duly assaulting your person. He lay there gazing up at the clear morning sky where a hundred-million tiny stars twinkled brightly and dogs were not a species ever considered worthy of inter-galactic abduction, or space travel. Still the hulk of a hound coughed and choked a loud, wracking cough that echoed around the otherwise lifeless morning streetscape like an artillery explosion in a canyon. Luiz might even have prayed, although he doubts it in hindsight. There was no time for any kind of celestial diety to intervene in a dispute between man and beast, not when there were the law of the jungle to uphold. Finally, Luiz heard the gruff, demanding voice of an adult, either that, or another dog that could talk humanspeak. He was long past the point of surprise but not yet at the point of catalystic shock, somewhere in that dreamy state that preceded pain killing injections, sutres, amputations and a sea of morphine. It was a pleasant place he recalls. He heard the dog howling, howling like a kid howls when its daddy whups on him, or her, for some petty indiscretion. He sat up, giddily. Wiped a thin white layer of frost from his top lip, which remarkably, still appeared to be where his creator had positioned it and saw the dog cowering in the opposite corner, its muzzle all speckled with synthetic fur threads. Luiz reached for where those same threads had been situated by the tiny hands of foreign manufacturer’s precious moments beforehand, and felt his own head instead.

Realisation took a good few minutes to dawn. When it did, Luiz saw that the Parka was minus its hood, and the best part of one sleeve. He knew then, instantly, that having been attacked by a dog with an aversion to fake fur, was undoubtedly going to be the paltriest of his problem load for that particular day, and probably, for the remainder of that particular year. The guy who had intervened, St. Bernard, patron saint of dog handlers, then proceeded to berate Luiz rather sternly about the non-delivery of that day's Mirror. He was collecting coupons for something apparently, perhaps two-weeks at a holiday camp all expenses paid. Luiz smiled ungraciously - like a Halloween pumpkin the morning after the night before. Unremarkably, Luiz's old man handed him a sounder and more thorough beating than that dog had received. If Luiz's old man had gone and beaten that dog, that senile beast would at least have known what it was like to be beaten by a human being. Luiz's mum meanwhile tried to make him go back to the scene of the attack and locate the missing hood and sleeve as she intended to re-attach them and then trim it with flimsy yellow feathers that had fallen off of a feather boa. Being molested and mauled by a canine, being beaten by your own father for a matter that was not even of your own making - they were run-of-the-mill occurrences in Luiz's young life, but having to walk to school looking like a canary was a whole different can of worms. What kind of a boy would seriously return to the house of hell and scrabble around looking for a Parka coat sleeve? Not this kind of boy. Not long after that Luiz hung up his newspaper sack and his one-sleeved Parka coat and decided to over-winter next to the radiator near the headmaster's office at school. Scalping dinner tickets was a far easier gig anyhow, not to mention infinitely warmer.

Friday, August 19, 2011

The Writing of Cultivores


The Writing of Cultivores

It started as a dream. I was out on wasteland – surrounded by the cinders of capitalism. The world had gone to shit, though strangely, it was a better place. The sky was orange, always orange, when the “dark” fell it just went shitty blood orange – I liked it. I felt safe there, safe in the knowledge that the very worst of humankind – that great malignant dynasty known as Capitalism, had all but been wiped . . . or swiped, swiped through some cosmic EFTPOS machine by an angry red-headed bitch going by the pseudonym Mamma N. All of this had probably come out of all this talk of global warming and climate change and goddamn carbon taxes, personally, I am all for a climatology atrocity – bring it on, and that all-consuming notion was the basis for the rise of the CULTIVORE.

I’d never imagined a post-anything world where humanity became extinct, humanity will never become extinct, not unless the pet rock it’s living on implodes or explodes, but by then I figure, they’ll have colonised some other junk yard. So, they survive – a handful of technocrats and autocrats and bureaucrats, all bunkered down while above – the planet burns. But not all of it . . . some remains unscathed left basically intact, the lines stay open and the satellites keep on humming. In the years leading up to the “atrocity” the ruling dynasty known as the “Capitalists” have tried everything to survive: non-breeding treaties, eradication, extermination, cannibalism – when science and technology (the twin evils) are proven redundant (as well as useless), diseases are let loose. By the time the fire arrives, for those still standing, it’s a blessing – celebrated and heralded. People are strange . . . indeed.

So what to do after you’ve had your storm or atrocity – there is the rub. What would these survivors do? To my mind they’d incorporate, they’d set up an articles of association and they would cling to the past because they who control the past control the future. They have two “I’s”, idolatry and infrastructure – idolatry of the capitalists and their plastic culture and the infrastructure with which to propaganda it. All they need is people – which is kind of strange as people, or rather the amount of them, had ultimately been the Capitalists downfall. Humans however are creatures of habit – thus, it is no good simply surviving, one must survive and prosper, and to rule, a ruler requires subjects. So they did, but they bred workers, workers with no names, a genetically manufactured proletariat straight out of Orwell’s 1984 – I had that prophetic book, Burrough’s Naked lunch and The Wizard of Oz in my head . . . a trip not so much along a yellow brick road, but rather a blue brick one. Blue is their colour – I mean, they have no god as such because theology (the theologicals) had been destroyed (outlawed by the Capitalists as a bad investment near the end of their reign), those who’d unearthed the sacraments and testaments (the Nomads) had handed them over to the Corporation – which is what the new rulers had Christened themselves and their char-grilled citadel of Capital Investment.

Blue – because there is no blue sky – no sun, no god, just work and investment – and, a strange historical text that speaks in pop culture idioms – the idolatry of Capitalist 20th and 21st Century culture. This is what they’ve brought to the round table of the Next Generation – I got this idea from the death knell the dawning of the 21st Century has dealt innovation in art (not technology), I mean, I don’t know if anyone else is aware of it or not but since the turn of the century all that Hollywood has done is re-hash 1970s culture? It bothers me, so I used it as the Corporation’s mandate – “Nothing New Under The Sun”. But there isn’t a sun, right? So why not build one? Give the people something to aim for – the glorious day when the blue re-emerges and the sun can be seen again. So, they build a wall, paint it blue, stick a yellow ball on and the saying becomes “Nothing New Under The Wall Of The Sun.”

Blue is more precious than gold . . . and blue dominates the world of the Cultivores, blue as in blue eyes never lie, blue tooths and blueprints. Blue is the colour . . . why, I have no real idea, but as the book forged on, blue began to pre-dominate everything. All Corporation hierarchy have blue eyes, they have blue teeth (blue tooths), and they use blue prints – they are, in point of fact – True Blue Bluebloods. Then of course, as readers will discover, there came, the Chic Creatures.
Every new society needs its own object of adoration – something for the ordinary man in the street to aim for. And who wouldn’t want to be a Chic Creature? They are the beautiful ones, the ones above manual labour, any labour in point of fact, their job is to stroll, stroll around under parasols looking beautiful showing off their glorious tattoos – ruled by Chico Ink, the Chic Creatures rule Capital Investment in tandem with the Corporation and the mysterious Murray Brothers who do the “mining”.

Next, we need a fable – some kind of Sleepy Hollow ode to cudgel the masses with, beware! Fear factory – something faceless bureaucrats can pump out through their “Bulletin”. Thus, the fable – the rise of the theological spores, the ones that inseminate their believers with bogus ideologies and bankrupt faith – I worked on the notion that no matter how forward or backward looking any re-vamped human society is, it would still include the love/hate dogma called organised religion – and even while the Corporation cranks out organised apathy, they, like the rest of Cultivation, know that the faiths still exist somewhere. And they do, in a place called Mayflower – some other place beyond the Northern Line Limit – the very edge of Cultivation. The fable states that a “Straynger” will arrive in Cultivation (or as some call it a Duch), carrying the faiths – she will be aided and abetted by traitors in attempting to re-instil the faiths. A no-named man will become her guide through the lands of Cultivation . . . and this man will accompany the Duch out to the Gates of Philanthropy and pass her unharmed through such – back to her own kind. In doing so, this no-named one shall thus earn his title. So far so good . . . but of course nothing is every quite as straightforward as it seems – on paper (not that there is paper because that’s old technology).

Any “hero” would be suspect – and in The No-Named Man we find a vessel with integrity, after time in the service of the Corporation toiling on a loco in the pursuit of earning a title, our hero finds himself with a thirst for knowledge, and knowledge can only be acquired by those in the know. Spotting what he thinks is the mythical Duch in Last Exit, a shabby clubbing borough, the No Name starts off on a flight of fancy through Cultivation – lands full of odd characters hung up and strung out on the Math, Time Banditry and Pop Culturisms – lands where nothing is ideologically sound – lands where the strong rule by brute force and the weak succumb to mythology. The Duch, it turns out, is searching for the Drifter, a fugitive hunted by the Corporation for crimes against the state of affairs. Led more by his sense of intrigue than the fable, the No Name’s odyssey is a surreal journey through sub pop culture and biblical visions – one that will ultimately take him right to Gates of Philanthropy and the much-vaunted Wall of Sound where all human history is played to those in search of the truth.
Writing the journey – plotting the characters of Cultivation and their warped idealisms, took a lot of work – in the end I opted for an episodic story, one where the No Name meets (by chapter) a character who may or may not appear again the book as a whole – or who, may or may not even exist. The journey starts when the No Name hops into the Driver’s cab to hunt the Duch – and then finds himself naked in the Abbey National, the ministry of untrue truths run by the mysterious old crone known as The Sackcloth Whore. This ancient bearer of wisdoms and history tells the No Name that it’s become his sworn duty to accompany the Duch – she was has the Blue Tooth and the Protocols, and as she rightly tells him – “Time is a line they spins you boy, to keep you on the clock.” With his notion vindicated and seconded by a person of historical value, the No Name, with the assistance of the Weatherman (an insane climatological genius) crosses the Moon River and in the process null and voids his tenure with the Corporation (having allowed the Sackcloth Whore to remove his identifying number) and falls in with the Drifter, and, a Machine Girl.

Out on the Wastelands it’s Venture Capitalism at its finest. Quite how Machined Girls found their way into my speculative fiction curry I’ve no idea. I had this notion that RGs (Real Girls) had become a liability to a freshly-reformed patriarchal society, and subsequently that same society had invested heavily in Machine Girl technology with the Factory while vehemently denying they condoned it in any way whatsoever. But whatever, not only do they exist, but amazingly they’re both flourishing and rapidly adapting – picking up human emotions and organising themselves into gangs aligned to the Renegades, those who hold up the locos and seize Corporation assets. Naturally the Machine Girls would have sexually overt names – Machine Girl Fellatio (the original and best Machine Girl) as example.
The No Name, knowledge-hungry as he is, takes all of these perplexing developments in his stride – even the robust and very “hands-on” Bull Breaker with his flickering holograph twin and the vampish crude baroness the Plutonian Blonde who runs the gas franchise and designs Chemical Girls on the side . . . runs illegal cage matches and diddles the Corporation with oily hands and swishy gowns.

Then of course there’s the Toolman. He’s quite a guy – well, not so much a guy as a half metal guru with heavy hardware capabilities. Every decent civilisation needs a killing machine – and if that killing machine was a human serial killer who’d somehow walked right through the Climatology Atrocity unscathed, merrily slaying as he passed from one state to another, then mores the better. Captured by the Corporation, upgraded and turned loose as the ultimate state assassin, the Toolman’s exploits feature heavily in both the Corporation’s “word” and Bulletin. Used as a warning to any who might consider going off the clock, the Toolman’s reputation both precedes and follows him as he clunks one step at a time across the lands in search of victims. Armed with nail guns, power tools and the ability to use them, once the No Name realises the Toolman is on their scent things start to get a bit hairier than he’d envisioned . . . regardless of the fact the Machine Girl tells him that if it bleeds it can be killed . . . his main concern is what if it doesn’t bleed? Bleeding isn’t an issue as it turns out – not when the Machine Girl upjacks a compactor (a vehicle operated by a Moleskin that crushes all the crap laying everywhere – the remains of Capitalism) – and crushes the Toolman into a cube which then becomes a valuable asset – to the art collectors. Being off the meter is one thing, crushing a Corporation assassin is quite another.

CULTIVORES INTERESTING FACT: Many of the characters are caricatures of people I regularly hang out with!

Separated from the Drifter and the original Machine Girl by virtue of having to return to Capital Investment to find medicine on account of injuries sustained while fighting off the Toolman’s overly amorous advances, the No Name finds himself alone in the company of the Duch in the Cross, a day traders borough – where, they are picked up by the Scissor Sister, a crimper with a bizarre vernacular and an “imaginary” twin sister. This quaffing dolly with dangerous shears tells the No Name she’s on a mission from the Sackcloth Whore to protect all their vested interests. Sucked into a seedy tenement and then held hostage while the Scissor Sister merrily lops off the Duch’s ears, the No Name is forced, for the first time, to think for himself – and ends up dealing with the elusive and unlicensed Dr Zarkov in a bid to free himself and his “package” from the Sister’s clutches. Finally killing her with her own shears, he and the Duch (in drag) travel to the Ferry Terminal to see the Queen of the Stone Age – another withered crone with biblical intentions.
The Queen, curing the No Name’s wounds and absolving his sins, convinces the No Name that the faiths exist and to exist himself, he must conjoin with the Duch . . . and commune he does, more because he’d been raised to have good manners . . . but, a screw is a screw is a screw. No big deal . . . until you find out you’re the new messiah’s father. And then there’s the disturbing notion that the Queen and the Whore are . . .

The No Name will never see the Drifter and the original Machine Girl again – their paths and stories bifurcate at this stage . . . and the No Name, finding himself on a loco travelling across the salt flats to visit the Paperboy (a criminally insane bibliophile who dribbles shit), finds himself in the middle of a Renegade attack – the most audacious to date, the upjack of a whole loco and its passengers undertaken by the red-eyed and death-defying Leadbelly. Finding himself in the middle of the ensuing fire fight – killing two Brigade Guards in the process and thereby depriving Leadbelly of bargaining chips, the No Name is finally released on “bail”- minus his package. Wandering the flats confused he is picked up by a rogue Machine Girl going by the name of Pussy Galore (enter the true love interest). She air-bikes him through a surreal world of renegades, floodlit baseball, narcotics and fully lubricated and dilating metal vaginas until bewildered and astounded, he is finally dropped off on Porridge Island – home of the Paperboy. Wherein he watches (high) as the Paperboy assassinates his own secretary and then himself – the suicide setting off a fire – a fire that’s both illegal, and, showers the surrounding environment with burning manuscripts.

Striking out again with his mechanical pussy and the now pregnant carrier of the faiths, and having also acquired a hybrid “Dog Thing” the ill-equipped quartet are left with only one place to go to – the same place everyone goes when they’re fleeing Capital Investment – Urban Jungle – the vine-encrusted super city of the Capitalists. Urban Jungle however offers its own unique set of problems, not least of which are the battling-for-ultimate control overlords The Recluse, and the enigmatic Xellent the Pimp. The Recluse it is said was once high in the Corporation’s controlling echelons, until he turned traitor and struck out to discover the Jungle. The Pimp on the other hand is an egotistical maniac who runs the Ranch Houses, whore markets full of Plastic Reginas, Dandy Eunuchs and re-configured good girls gone bad.

The Drifter, having lost the original Machine Girl after her clock was wound back permanently by Captain Sensible – head of the time-making Venturists, also heads for the Jungle in the hope of again seeing Evangalista, the exiled ruler-in-waiting. No one gets lucky in a lawless asylum like the Jungle however – not when the Recluse is near death and close to settling all of his debts with the Mass rather than the Math – and not when the Libertine and his “Cut Ups” are also making a power play. After a shoot-out at the Pimp’s infamous House of Many Colours – the No Name, Pussy Galore and the Duch break on through to the other side . . . out toward the Gates.

There is a dogged resilience in the No Name’s character, no matter how much depravity, ludicrousness or sheer insanity he witnesses, he clings to the kernel of doing one job right no matter the cost, not that he even understands quite what the job or cost is. He does know though that he needs to be shot of his package, and that the only way he can ever be rid of her, is to return her to sender. What he finds at the Gates however – is the ultimate truth, the truth that everything is a lie and is preordained, that there is no future, only a glittering past . . . that culture rules, that all men are not created equal, that god is, quite literally, in the TV.

The No Name, the one so named in the fable, has ultimately, become the fable himself, because everything can be re-written continually and history is bunk. The Math never lies and time is a line they spin to keep you on the clock – but the worst thing, as he stands watching the American Terrorist scream across the sky high above en route to Capital Investment’s destiny . . . is that he might just have done what they wanted him to.


Cultivores Interesting Fact: The Corporation ID “cards” which introduce each episodic character carry a Corporation ID number – each number has a meaning to a popular culture fact or identity the character represents. Example: The Driver’s ID Number is taken from the number plate of the car James Dean crashed in. (=driving).

The world of the Cultivores is probably a far better one that that of their predecessors. Despite the fact they are all obviously insane . . . their idolatry and their attitude to life and death is one small step for mankind – the only question being, in which direction?

Monday, August 8, 2011

THE OTHER STATE



THE “OTHER” STATE

Werewolves have taken control of a biker’s gang in the dreary western suburbs of Melbourne known as the Dog Collar Demons. In the process making themselves the most feared pack not just in Victoria, but nationwide. The Demons, led by the charismatic Buick, are not simply above the law, they are the law.

Over in South Australia the vampires whose forefathers invented the Internet are concealed deep within the IT industry as programmers. When Lizzie Madelena, a bored twenty-something from Melbourne with an eating disorder turns up at the Demon’s annual pool party looking for excitement, she gets way more than she ever bargained for, especially after Cobol, head of the SA vampires, spends one night in her company – rendering the accord of non-interference between the preternatural species obsolete.

Enter Stacey Wiley, stray from home middle-class wife to husband (ex-hacker Rob), and Arkan Lews, infamous fantasy novelist from Texas, who, as adulterous lovers hunt the “emergence”, the time when the preternatural break cover to clash over human involvement.

With a double murder in Adelaide and a zany news team in Melbourne, counterpart DCI’s Jon Bowles and Ray Fuges are drawn ever deeper into cases that can never be solved. Add forensic scientist cum anthropologist Alan J. Kay and a mysterious envoy known as Lucian, and the dark and desperate existence of the immortal begins to unravel.

With lust comes death, with emergence comes retaliation, with inter-state rivalry comes parochialism, and as Buick gets ready to mate and the vampire’s leader falls to a surprise coup, the only option left is the greatest show on earth. No vampire has ever defeated a werewolf in one-on-one combat, but to free Lizzie from Buick’s clutches, desk-jockey vampire Cobol will be left with no alternative other than to attempt the impossible . . . in the other state the world is a cage from which no victor ever emerges.